Home / Recent Work / Upton O'Good, 2017, Brass and Wood, 7.5" x 15" x 3.5" / Upton O'Good, how it was made 29

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1. Starting out with a clay model, to make a pattern for the blank of flat sheet of brass.
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2. The clay model has been dipped in hot liquid Dip Seal, which solidifies immediately upon being lifted out of the pot.
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3. The rubbery Dip Seal coating cut and being removed.
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4. The Dip Seal shell has been spread out as flat as possible on a sheet of paperand traced around with a pencil.
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5. Having cut out the paper pattern, it was traced onto a sheet of 16 gauge brass and cut out.
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6. Using a sand bag to hammer what will be the head.
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7. Punching out facial features from the inside.
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8. Pushing out the chin/beard from the inside on a polyurethane block, using the hydraulic press.
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9. Using raising hammer and stake to move the metal around.
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10. After annealing, more raising, to move the outer edges around to the middle of the back.
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11. Making it more curved (synclastic) on a curved stake.
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12. Not a perfect match-up in back. I have drawn lines to guide cutting off metal to make the two sides match up.
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13. That's much better. Now I can proceed to closing up the seam.
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14. Planishing the front on a flattish mushroom stake.